Some people always know what they want to be when they grow up. I wasn’t one of them, although I loved drawing and painting. When I was perhaps 12 years old, my mother put the big 1930s-era family Kodak folding camera in my hands, instructing me to take a group portrait. I was terrified by the controls and the numbers. My photos were fuzzy, and there were light areas around the edges. I blamed myself for these failures, vowing never to touch another camera.
In high school and college (University of California, Davis), I continued with my art, thriving under several inspired teachers and professors. After graduation, I did some traveling. I found myself in Japan, where I bought a little automated camera. There, I took a few lucky photographs. I made several trips to Japan, and when I realized I wouldn’t be coming back, I followed the advice of friends and bought a Nikon camera and a couple of lenses. Soon I moved to Alaska, where I bought a garage-sale darkroom setup, a Time-Life book on how to develop negatives and print photos, and I was on my way. Or so I thought. My photos were still amateurish and often fuzzy. One day I answered a want ad for a darkroom assistant for a local commercial photographer. Soon, I learned the craft. In those early years I made some lucky shots, getting published in the state’s largest newspaper and also Alaska magazine, where I was paid a whopping $5. I was thrilled. I also made a trip to a large park called Katmai in western Alaska, and I documented my adventures there in black and white.
A local publisher was doing a guidebook on Katmai, needed black and white photos, and so we connected. I ended up not only working on the Katmai book but two others. As it happened, National Geographic staff photographers often stopped by the publishing offices and several took me in hand, showing some of their tricks. Soon I was hired by Alaska magazine as an associate editor/staff photographer. During all of these years I traveled the state and found extraordinary photo ops. Many of these images made their way into national and international publications. Over the years, clients have included National Geographic books, National Wildlife Federation, Sunset magazine and other publications almost beyond counting.
Throughout these years I have also continued to publish my writing, involved in various aspects (author, co-author, editor, ghost writer) of nine books and numerous feature magazine articles.
About 20 years ago, I was asked to teach photography at the local community college near where I now live in California east of Sacramento. Teaching, both in classrooms and via small workshops, has become my greatest calling, my way of giving back for the many opportunities I have had. Great light and composition continue to excite me. It is my passion and joy to share this enthusiasm. Many students have joked that I have “ruined their lives,” that they see things so differently now. I am grateful that I can help.
I am available for assignment and also sell stock photos from my collection of more than 200,000 images. Geographical areas include northern California, Alaska, Tanzania, Ecuador and many other places. I love portraiture, wildlife and landscape photography. My framed and matted images are on display at Art Studio 360, 360 Main Street, Placerville, California. In addition, my images have been chosen for the last three years in a row for the prestigious Showcase gallery, North American Nature Photographers Association.